We all sit and enjoy the warm glow after the applause. Here We Are Amongst You, by Rawcus, is over but we feel happy to stay.
- by Peter Hodgson, Kate Herbert and Tony Way
Playwright Jackson Used explores how a long-term relationship changes both parties.
- by John Shand and Joyce Morgan
One of Melbourne’s smallest performance venues just launched a digital subscription service, joining a suite of platforms where you can grab the latest shows.
- by Nick Miller
The award-winning theatre group with honesty as its mantra bids farewell to its founder after more than two decades.
- by Kerrie O'Brien
When I picked up the “other” Bronte’s novel, I did so with resignation and spiritual smugness. This will be hard, I thought, but it will be good for me.
- by Diana Reid
Vyom Sharma, who juggles magic and medicine, says creating an act showed him how to earn the trust of patients.
- by Stephen A Russell
This adaption of Anne Bronte’s gothic tale The Tenant of Wildfell Hall, which includes characters shifting between past and present, is epically ambitious.
- by John Shand
Passing Strange may be the first Australian show to offer a BLACK OUT night – a performance for audiences identifying as people of colour.
- by John Bailey
Nobel laureate Kazuo Ishiguro rescued a dream for the team that brought us Ladies in Black.
- by Michael Dwyer
Are we ready for Peter Yeldham’s play that the censors stopped from appearing on our screens in 1962?
- by Steve Meacham